The Home of Beethoven
Emahoy Tsege Mariam Gebru, when visiting Bonn, felt what all admirers of this great master will understand – the deep feeling one has while standing in the room where, two centuries ago, one of the greatest geniuses had lived. His violin, his piano, his organ – even fragments of his handwriting – are very pathetic. The sight of the hearing aid he used in his early stage of his deafness is very touching. From all these impressions originates this melody.
–Emahoy Tsege-Mariam Gebru, liner notes for Jerusalem
(Mississippi Records, 2023)
Transcribed and edited by Thomas Feng; typesetting by Richard An
Further liner notes, notes on sources and recordings, and editorial notes by Thomas Feng are included in the sheet music download.
Emahoy Tsege Mariam Gebru, when visiting Bonn, felt what all admirers of this great master will understand – the deep feeling one has while standing in the room where, two centuries ago, one of the greatest geniuses had lived. His violin, his piano, his organ – even fragments of his handwriting – are very pathetic. The sight of the hearing aid he used in his early stage of his deafness is very touching. From all these impressions originates this melody.
–Emahoy Tsege-Mariam Gebru, liner notes for Jerusalem
(Mississippi Records, 2023)
Transcribed and edited by Thomas Feng; typesetting by Richard An
Further liner notes, notes on sources and recordings, and editorial notes by Thomas Feng are included in the sheet music download.
Emahoy Tsege Mariam Gebru, when visiting Bonn, felt what all admirers of this great master will understand – the deep feeling one has while standing in the room where, two centuries ago, one of the greatest geniuses had lived. His violin, his piano, his organ – even fragments of his handwriting – are very pathetic. The sight of the hearing aid he used in his early stage of his deafness is very touching. From all these impressions originates this melody.
–Emahoy Tsege-Mariam Gebru, liner notes for Jerusalem
(Mississippi Records, 2023)
Transcribed and edited by Thomas Feng; typesetting by Richard An
Further liner notes, notes on sources and recordings, and editorial notes by Thomas Feng are included in the sheet music download.
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